• Jonathan Apelbaum

    25 % woman 25 % men 25 % lesbian 25 % divers
    2022, 200 x 120 x 9 cm, oil painting with self-developed coating and canvas "cinematic canvas", oak frame, LED panels

  • 2022, 200 x 120 x 9 cm, oil painting with self-developed coating and canvas "cinematic canvas", oak frame, LED panels
  • 25 % woman, 25 % men, 25 % lesbian, 25 % divers
    Öl auf "Cinematic canvas", LED, 200 x 120 x 9 cm
  • 33 % woman, 33 % men, 33 % divers
    2021, 100 X 227,5 X 8 cm, Oil painting and self-developed varnish, Canvas with oak frame, LED spots and gold panels
  • The last last supper 1
    2023, 173 x 118 x 12 cm, oil painting with self-developed coating and canvas "cinematic canvas", frame made of oak wood, LED panels, microcomputer and various sensors controlled by self-developed software "Frame Designer"
  • The last last supper 2
    2023, 173 x 118 x 12 cm, oil painting with self-developed coating and canvas "cinematic canvas", frame made of oak wood, LED panels, microcomputer and various sensors controlled by self-developed software "Frame Designer"
  • Matilde & Julie
    2020, oil painting with self-developed coating and canvas "cinematic canvas", frame made of oak wood, LED panels, microcomputer and various sensors controlled by self-developed software "Frame Designer", 100 x 50 x 11 cm

Biography

Jonathan Apelbaum was born in Glasgow in 1992 from French Algerian and French Polish parents. He grew up in a Parisian suburb as the eldest of four children. In 2014 Jonathan graduated in mechanical engineering at the Technical University of Berlin in 2017. Jonathan’s artistic career started in earnest in 2018. His creations, which he refers to as ‘installations’ are at the basis, paintings in their traditional forms. They are however complemented by light effects and some of the creations include sounds and motion sensors and adopt the light to the surrounding sound and motions. In this way a ‘fourth dimension’ is developed: the audience shapes and participates in the ever changing appearance and content of the creations. In 2019 Jonathan founded the studio AnalogDream. a studio for experimental artistic practice that integrates painting, theater, music, club and the dance world. The team of the studio grew progressively and currently consists of six people. It includes a software developer, a mechanical engineer, a light and a mechatronic engineer, a visual director and a sound designer. These themes are transported in installations that react to their environment, exploring the different notions of consciousness, perception, and instincts of humankind.

For the past five years, I have been working with engineers to develop and refine the concept of ‘Cognitive Paintings’. The oil paintings respond to their environment and audience while retaining the physicality and ties to traditional painting.

Jonathan Apelbaum ©Photo, Jonathan Apelbaum

Exhibitions

Museum and single exhibitions (selection)

2022

Deep & Slow, P7 Gallery, Berlin
The collective, TaunusTurm, Tishman Speyer, Frankfurt
Farewell, Treptow Atelier, Berlin

2021

Apelbaum 01, Anomalie Art Club, Berlin
Sein 01, Musikbraurei, Berlin
Sein 02, Musikbraurei, Berlin

2020

GLIMPSES, Black Rabbit, Berlin
YES OR NOW, Rodzłø Galerie, Berlin
OVERMORROW, Wilde Renate, Berlin

2019

Amour échoué, Solo exhibition, Provocateur,
Berlin Art Week 2019, Berlin
KUNST/MITTE 2019, Art fair, Magdeburg
Violence, Art Biesenthal
Analog Intimacy, Performance, Galerie Z22 Berlin
Red, Group show, Berlin, Germany
IA, Solo Pop-up exhibition, InterContinental Hotel Berlin

2018

En Lumière, Solo exhibition, Petersburg Art Space, Berlin
Portrait d’une humanité troisème partie, Solo